The Bandoneon:
What instrument can better express melancholy, passion, and deepness of Argentine Tango?
The roots of this musical instrument are from Germany. In 1834, the famous musician Carl Frederich Uhlig, presented a new type of accordion, the German Concertina. Based on this instrument, the instrument salesman, Heinrich Band, invented the Bandoneon, the bandoneon was named after him. Saxony (Germany), was the main manufacturing location for concertinas and bandoneons.
During the mid 1800's, the bandoneon had reached other countries. Immigrants took the instruments with them, to the new world. That is how it arrived in Argentina and Buenos Aires. The Bandoneon became the sound of tango in 1900s, in the clubs of Buenos Aires. With its distinctive sound, the bandoneon became the symbol of tango music.
There were many brilliant tango musicians such were Eduardo Arolas, Anibal Troilo, Pedro Laurenz, Pedro Maffia, Lepoldo Federico, Nestor Marconi, Juan Jose Mosalini, and Dino Saluzzi. However, the man that introduced bandoneon to concert halls was Astor Piazzolla. Piazzolla dedicated his early life to tango. He had a gap in his musical career, but his classical music studies with Alberto Ginastero and Nadia Boulanger in Paris, brought him back to tango.
Even though Tango Nuevo in the beginning was not accepted by the tango dancers in Buenos Aires, it became popular over time. Today, Piazzolla is considered to be one of the biggest musicians of our period. In the beginning rejected, Piazzolla later, took the bandoneon to new heights, and made Argentine Tango eternal with more than 750 compositions (concerts, operas, movies, shows).
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